The Hunt for Evergreen Lodge

A French filmmaker in Kolkata a few years ago, approached me about a documentary on the works of noted Bengali filmmaker Satyajit Ray. He wanted to highlight a side of Ray that remained unknown to French audiences. “We know Ray because of his films like The Goddess (Devi, 1960). But most French people do not know that he also made popular cinema, that he made films for children, and that he was a popular author”. To Bengalis such as me, Ray is of course as much an author as filmmaker. He is the creator of the detective character Pradosh Chandra Mitra aka Feluda, of the science fiction stories featuring Professor Shonku, and of numerous short stories. These short stories more often than not, feature single, unattached men, who live alone and are involved in bizarre, spooky or horrifying incidents. The short stories have been published in collections of 12, with witty names playing on the Bengali for “dozen”. I had finished reading almost all of them by the time I was in my mid-teens. One of the most fascinating stories is one called “Brown Saheb-er Bari”, Brown Sahib’s House.

Forgotten History: The Port Canning Disaster

Blogger Soham Chandra first drew my attention to a crumbling building near the Sunderbans in South Bengal that he called “Lord Canning’s Bungalow”. The British Governor General, he said, had once had this house constructed, which is why the city in the South 24 Parganas District of West Bengal is also called Canning. But this struck me as rather odd. Lord Canning had died in 1862 and back then, this part of Bengal was malarial, tiger-infested jungle. Why would the Governor General of India ever want to live here? And if it wasn’t him, then whose was the once-magnificent colonial building? My research led me to one of the biggest commercial debacles of British India – the Port Canning disaster.

 

Nimtita Rajbari: The Jalsaghar House

The boy stood by the east window, waiting patiently. He had missed his chance earlier. When he had seen the black Landmaster going past his school and towards his house, he had paid it no heed. It was only when he came back home that he was told who the Landmaster was ferrying. He wouldn’t make the same mistake twice. He had been waiting at that window ever since the family Jeep had left for the station to fetch their famous visitor. It was mid-February in the dusty little Bengal village. The once grand mansion was now in ruins and stood perilously close to the river that separated India from East Pakistan. It was 1956. It would be another 15 years before Bangladesh would be born in a bloodbath.

Basu Bati, Bagbazar

Basu Bati on Bagbazar Street in North Calcutta (Kolkata) deserves to be known as one of the most unique heritage buildings in the entire city. Its architecture is in a style that is not seen anywhere else and its history is rich and eventful. But while few have stepped into its hallowed portals, fewer still know its full story.

 

Garia Rajbari, South 24 Parganas

I have been staring at the Garia Rajbari of South Garia for years without knowing what it was. You see, every year, before the Kali Puja festival, a bunch of my friends and I travel to the firecracker market of Champahati and we pass a crossing known as China More or Cheenar More (more being Bengali for crossing or crossroads), and right there, next to a pond, stands this palatial building. Last winter, I carried my camera with me and managed to take a shot. When I asked around in the local market, a shopkeeper told me that this was the house of someone called Durgadas Banerjee. A google search threw up the following information…

Durgadas Bannerjee (1893-1943)

Major Bengali actor in Calcutta Theatres. Born in Kalikapur, 24 Parganas District. Introduced to film by Sisir Bhaduri (Taj Mahal Film) in 1922. From his first major film, Maanbhanjan, until the late 30s, he was the definitive Bengali screen hero.

I get it, actors are rich people, and they can have large houses, but why here? Surely it would make more sense for someone who worked in the studios in Tollygunge, to have a house in Calcutta (Kolkata)? And the house certainly does not look like it was built in Durgadas’s lifetime. So I returned, armed with a camera, and with my friend Ranajit, determined to get to the bottom of this. What I found was completely new to me. As it turns out, Garia Rajbari is the ancestral home of actor Durgadas Banerjee, politician Bijoy Banerjee (who served as speaker of the Bengal Legislative Assembly) and musician Sudipto “Buti” Banerjee of Bengali rock band, Cactus!

 

Mahishadal Rajbari, Haldia

Located around 60 km to the Southwest of Calcutta (Kolkata), in the Mahishadal administrative division in Haldia subdivision of Purba Medinipur (East Midnapore) district is the Mahishadal Rajbari, home to the Gargs of the Mahishadal Raj. Spread over a large area, Mahishadal Rajbari consists of two palaces, a cutchery or court house, a ghat, a large navaratna temple, all surrounded by a protective moat spanned by bridges. The vast property left to decay for many years is now being renovated and opened to visitors. Mahishadal Rajbari is an ideal weekend getaway from Calcutta, especially for history buffs.

The Phul Bagh Palace, Mahishadal

Serampore Rajbari

Exactly how rich were the Goswamis of Serampore? Sample this. When the Danes, finding their factory in Serampore to be a losing concern, were looking for someone to sell their title of Serampore to, Raghuram Goswami offered to purchase it for the sum of Rs. 11,00,000! However the Danes found this sum to be inadequate and ultimately sold their possessions to the East India Company in 1845, for 12,00,000. The Goswamis of Serampore, are the descendants of one of the five Brahmin families whom Adisur, King of Gaur had invited to settle in Bengal, with gifts of land and monies, for the propagation of knowledge. One of his descendants was Lakshman Chakravarty. Lakshman was married to the daughter of Achyut Goswami, son of Advaitacharya Goswami, an ardent disciple of Sri Chaitanya. Lakshman settled in Shantipur, with Achyut’s family, and out of their marriage was born a son, Ramgobinda, who took on his mother’s maiden name, Goswami. It was Ramgobinda’s son, Radhakanta, who settled in Serampore. His grandson was Raghuram Goswami.

Serampore Rajbari South Block