Akbar's Tomb, Sikandra

“Jalaluddin Mohammed Akbar, guardian of mankind” – I learnt the Kipling poem when I was in school, and its opening lines were all I could think of as we drove the 5 miles from Agra to the Emperor’s final resting place, Sikandra. Growing up in India, the history you are taught in school is somewhat one sided, but creates a lasting impression, especially about the Mughal Emperors of India. Babur was the conqueror. Jahangir was the just one. Shah Jahan was the romantic. Aurangzeb was the angry old man. But only Akbar was “The Great”. A king who was just, fair, a great warrior, a wise administrator, a man who gathered around him a court of such brilliance that stories about it are told to this day. Every child in India knows the stories of Akbar and his court wit, Birbal, about his Hindu Rajput wife, Jodha Bai, who in all fairness is more legend than fact, and about how his court musician, the Vaishnava Tansen, could make it rain by singing the raga “Malhar”. Akbar is to Indian history what Shahrukh Khan is to Bollywood cinema – a superstar you see on screen or read about, but never imagine will be able to approach. Needless to say, I was excited as I stepped into the vast funerary garden at Sikandra – this is the closest any human being could get, to Akbar the Great.

Akbar's Mausoleum, Sikandra

 

How Guides are Destroying the Murshidabad Experience

I have visited the Murshidabad thrice in 2018. The city was the last capital of Bengal before the East India Company took over and the power centre shifted to Calcutta (now Kolkata). From 1704 to 1757, Murshidabad was the seat of the powerful Nawab of Bengal, Bihar and Orissa, who ruled over the richest province of the Mughal Empire, accounting for some 50% of the Empire’s GDP. There are a large number of historic structures and ruins left over from that period which make the historic city a fascinating place to visit. Like all historic sites, tourist guides are locally available. But while these guides are supposed to enhance the experience, in Murshidabad, their effect is quite the opposite. Tourist guides, who behave like goons, harassing visitors makes a trip to Murshidabad deeply unpleasant. Through my last 3 visits, here are some experiences I have had.

 

Belur & Halebid: Finest Examples of Hoysala Art

When it comes to ancient Indian art, the best examples are all associated with temples. While the erotic art of the Khajuraho Temples is famous, the Chennakeshava Temple of Belur and the Hoysaleshwara Temple in Halebid are perhaps a little less famous, but are no less beautiful and magnificent. These are temples that were built by the Hoysala ruling dynasty of the South India and represent some of the finest achievements of the people this country in architecture and sculpture. I visited the temples in February of 2017, but before I tell you more about them, let’s take a look at the dynasty which had them built.

The REAL Dakshineswar Temple

Let me start off by clarifying that I do not mean to suggest that the Kali Temple established by Rani Rashmoni in the Dakshineswar village (Barrackpore Subdivision, North 24 Parganas District, West Bengal), is false or fake. The temple is, in fact, one of the most popular Kali Temples of West Bengal and is visited by lakhs of devotees every month. But the temple is commonly referred to as the “Dakshineswar Temple”, which is incorrect. While it is a temple, and it is in Dakshineswar, the name of a temple of Goddess Kali cannot be “Dakshineswar”, because Dakshineswar is a male name. Many people believe that it is called Dakshineswar, because the idol inside is of Dakshina Kali. This too is incorrect, because the idol housed in Rani Rashmoni’s temple is of Bhavatarini, one of the many aspects of Kali. Even if the idol was of Dakshina Kali, then the temple’s name couldn’t have been Dakshineswar, but Dakshineswari – that crucial “i” in the end makes it a female name. The temple is erroneously called Dakshineswar because that is the name of the village it is located in. But the name Dakshineswar definitely refers to a Hindu deity of some kind. So who is this Dakshineswar and where is his temple? That is the point from which my search began.

 

Kaliprasadi Hungama: The Scandal That Shook Calcutta

Hungama

Noun; Persian

tumult, riot, uproar, confusion, disorder

Bengalis in general, at least the educated upper and upper middle classes of the capital city of Calcutta (Kolkata) pride themselves on being liberal and permissive. Inter-caste, and even interreligious marriages, that can cause uproar in the rest of India, especially in what is referred to as India’s cow-belt, are fairly common in Calcutta. To a large extent, this liberal outlook is the result of the Bengali renaissance, led by such stalwarts as Ishwarchandra Vidyasagar and Raja Ram Mohan Roy. 30 years of atheist, communist rule in the post-independence period, have also ensured that caste plays no part in politics. But of course, it wasn’t always this way. In the early 19^th century, Hindu society, even in Calcutta, exposed constantly to Western influence, was notoriously conservative and it is during this period that one of the city’s biggest scandals happened. Known as the Kaliprasadi Hungama, the scandal connects several of Calcutta’s biggest families, and places of worship belonging to multiple faiths, including Calcutta’s most famous Hindu temple – Kalighat.

The Imambaras of Kolkata

Say the word Imambara to the average Bengali in Kolkata, and what he or she is likely to think of first, is the Hooghly Imambara. Prod a little further and the Nizamat Imambara will come up. Located in Murshidabad, it is the largest in Asia. The really well-informed will be able to name the Sibtainabad Imambara in Metiabruz where Wajid Ali Shah, the last Nawab of Oudh is buried. But what the vast majority of people in Kolkata don’t know is that there are some 20 imambaras in city, most with long histories and some are spectacularly beautiful. For Muharram this year I would like to highlight this unknown aspect of Kolkata.

 

Sarfaraz Khan: Murshidabad's Forgotten Nawab

Since Murshid Quli Khan moved the capital of Bengal from Dhaka to Murshidabad around 1704, there have been only 4 Nawabs of Bengal from two dynasties to have succeeded him, before the East India Company’s takeover. The Nasiri Dynasty to which Murshid Quli Khan belonged, was unseated by the Afshar Dynasty, led by Alivardi Khan. The Afshar Dynasty’s rule came to an end with the Battle of Plassey, on the 23^rd of June, 1757. The next to take their place on the Musnad of Murshidabad, was the Najafi Dynasty, beginning with the much-maligned Mir Jafar. But while the war that brought the Afshar Dynasty to an end is much discussed, and how its last scion, the hapless Siraj-ud-Daulah met his end has been memorialised in plays, the end of the Nasiri Dynasty has been almost completely forgotten. We know where every Nawab of Bengal is buried, except the last Nasiri Nawab, Sarfaraz Khan. For years, books have pointed to the rough area where he was buried, but no one has given the actual location, nor printed a photograph of the tomb. Has the tomb of a Nawab actually been lost? And how did it come to this?

Interiors of the incomplete Fauti Masjid. Construction was started by Sarfaraz Khan and ceased upon his death

Weekend at the Himalayan Hotel

“How would you like to stay in a 100 year old hotel”? The question from fellow blogger Poorna Banerjee was a purely rhetorical one, of course. She knew that I would jump at the chance. And so it was that in the last weekend of the month of May, I found myself escaping the heat and dust of Kolkata for the chilly comfort of the historic Himalayan Hotel, now the Mayfair Himalayan Resort and Spa.

The Abandoned Mosque of Beliaghata

On Beliaghata Main Road, a little under a kilometre southeast of the point where the road crosses the canal lies a mysterious, abandoned mosque. I say abandoned because the mosque is not used for prayers by Muslims anymore, although it is far from empty. What was once a mosque is now used as a residential building and storage space. I first found out about the abandoned mosque in Beliaghata from a Facebook post by my friend Avijit Das. Avijit and Souvik had been alerted to the presence of the mosque by another Facebook post. “Sayan Banerjee had posted about the mosque, claiming that it was the oldest mosque in Kolkata and that it was ASI property”, Souvik told me. But when they visited the site, they found it to be occupied by a Hindu family. Souvik was able to identify the family as Vaishnava based on the “kanthi” or wooden necklace that a male member of the family was wearing. The sheer ridiculousness of a Vaishnava family living inside a mosque was enough to pique my curiosity, and so I decided to do some investigation of my own.

The western side of the mosque

The Lesser-Known Museums of Kolkata

Such is the reputation of Kolkata’s Indian Museum, that when one says museum or “jadughar” in Kolkata, the Indian Museum is what one refers to, and that one word is enough for taxi drivers to take you to your destination. However, housed in various buildings around the city, are a number of smaller museums, from 1-room displays to multi-gallery affairs, which house antiquities and objects that can educate and provoke curiosity.

 

Photo Feature: The Transformation of the Calcutta Bungalow

Back in 2015, I remember having the first conversation about what is now the Calcutta Bungalow with Iftekhar Ahsan. I had known Ifte since college and had watched his Calcutta Walks growing in popularity, till it became the number one thing for visitors to do, on Tripadvisor. A Bed & Breakfast for his guests seemed like the logical next step.

 

Sayed Jamaluddin's Mosque, Saptagram

Located in the Saptagram area of Hooghly district in West Bengal, Sayed Jamaluddin’s Mosque is the only surviving monument from the Hussain Shahi period when Saptagram was a flourishing port and mint town. The last surviving witness of the glory days of this erstwhile capital of southern Bengal, Sayed Jamaluddin’s mosque is also a fine example of that phenomenon unique to Bengal – a terracotta mosque.

 

How to Photograph the Taj Mahal: Tips, Tricks and Vantage Points

The Taj Mahal is India’s biggest tourist attraction, one of the seven wonders of the world, and one of the world’s most photographed monuments. For professional photographers and photography enthusiasts, getting that perfect photo of the Taj Mahal can be a daunting task. What gear should you use? What time of the year should you visit? Where can you get the best shots from? And are there any angles or vantage points from where you can get a Taj photo that no one else has? I visited Agra in October of 2017 and stayed in the city for 7 days. In this blog, I’ll share with you my experiences and tips about photographing the Taj Mahal.

View from across the river. Canon EOS 5D Mark IV, EF 24-105mm f/4L IS II USM, f/8, 70 seconds, ISO 100

Forgotten History: The Gunpowder Magazine of Achipur

In Achipur, near Budge Budge, approximately 33 km to the southwest of Calcutta (Kolkata), stands an abandoned gunpowder magazine with an interesting story behind it. On google maps, the area is currently marked as “Birlapur Riverside Picnic Spot” and locals call it the Achipur “barood-ghar” (barood – gunpowder, ghar – house). Veteran blogger Rangan Datta was the first to bring these abandoned structures to my notice. Trying to find details about them led to the uncovering of a wealth of information, but as is the norm with Bengal, there more questions than there are answers.