The REAL Dakshineswar Temple

Let me start off by clarifying that I do not mean to suggest that the Kali Temple established by Rani Rashmoni in the Dakshineswar village (Barrackpore Subdivision, North 24 Parganas District, West Bengal), is false or fake. The temple is, in fact, one of the most popular Kali Temples of West Bengal and is visited by lakhs of devotees every month. But the temple is commonly referred to as the “Dakshineswar Temple”, which is incorrect. While it is a temple, and it is in Dakshineswar, the name of a temple of Goddess Kali cannot be “Dakshineswar”, because Dakshineswar is a male name. Many people believe that it is called Dakshineswar, because the idol inside is of Dakshina Kali. This too is incorrect, because the idol housed in Rani Rashmoni’s temple is of Bhavatarini, one of the many aspects of Kali. Even if the idol was of Dakshina Kali, then the temple’s name couldn’t have been Dakshineswar, but Dakshineswari – that crucial “i” in the end makes it a female name. The temple is erroneously called Dakshineswar because that is the name of the village it is located in. But the name Dakshineswar definitely refers to a Hindu deity of some kind. So who is this Dakshineswar and where is his temple? That is the point from which my search began.

 

Kaliprasadi Hungama: The Scandal That Shook Calcutta

Hungama

Noun; Persian

tumult, riot, uproar, confusion, disorder

Bengalis in general, at least the educated upper and upper middle classes of the capital city of Calcutta (Kolkata) pride themselves on being liberal and permissive. Inter-caste, and even interreligious marriages, that can cause uproar in the rest of India, especially in what is referred to as India’s cow-belt, are fairly common in Calcutta. To a large extent, this liberal outlook is the result of the Bengali renaissance, led by such stalwarts as Ishwarchandra Vidyasagar and Raja Ram Mohan Roy. 30 years of atheist, communist rule in the post-independence period, have also ensured that caste plays no part in politics. But of course, it wasn’t always this way. In the early 19^th century, Hindu society, even in Calcutta, exposed constantly to Western influence, was notoriously conservative and it is during this period that one of the city’s biggest scandals happened. Known as the Kaliprasadi Hungama, the scandal connects several of Calcutta’s biggest families, and places of worship belonging to multiple faiths, including Calcutta’s most famous Hindu temple – Kalighat.

12 Stunning But Lesser-Known Hoysala Temples of Karnataka

While tourists flock in large numbers every month to the Chennakeshava Temple of Belur and the Hoysaleshwara Temple of Halebid, there are exquisite Hoysala era temples in hundreds of villages scattered around Karnataka that receive few or no visitors. The Hoysala Empire was extremely prosperous and the kings and rich individuals across the empire commissioned stone temples that have survived invasions and the ravages of time. In 1978, Dutch professor Gerard Foekema visited Karnataka for the first time. Over the next few years, through repeated trips, he was able to thoroughly document every Hoysala era temple still surviving. While there are some 100 temples or temple ruins still in existence, for the tourist, a visit to a dozen or so of these temples will prove interesting. But to understand Hoysala temples, we need a bit of background on the Hoysalas.

Sculptures on the exterior of the Lakshminarayana Temple, Hosaholalu

21 Stunning Durga Pujas of Calcutta

Durga Puja, or Pujo, as Bengalis say, is Calcutta’s biggest festival. The Hindu worship of the Goddess Durga, marks the beginning of autumn and commemorates Lord Rama’s summoning of the Goddess at this unusual time (the normal time being spring) to seek blessings for his battle against Ravana, the demon king of Lanka. Here in Calcutta (Kolkata), Pujo has morphed into something quite different and much larger than a mere religious festival. Calcutta’s Durga Puja has turned into both an explosion of installation art, as well as what is now being acknowledged as the world’s largest street festival.

Ballygunge Cultural

 

Photo Feature: Chandi Mela, Behala

Behala’s famous 10 day annual fair, known as Chandi Mela , known as Chandi Mela is held in the winter of every year at the Sakher Bazar crossing of Behala, in South Calcutta (Kolkata). Stalls are generally set up in the lanes to the west of Diamond Harbour Road at Sakher Bazar and take up the better part of an entire municipal ward. To my mind, there are two things which make this fair unique. First is the fact that it is not limited to an open ground and spills out on the streets, and the second, the fact that in the middle of a modern metropolis, Chandi Mela offers all the attractions, sights, sounds and smells of a rustic village fair. The fair gets its name from the Chandi Puja (worship of the Hindu Goddess Chandi, another incarnation of Goddess Durga) which was started by Mahesh Chandra Ray Choudhury, of the Sabarna Ray Choudhury family, in 1792.

Babughat, Strand Road

Babughat is one of nearly 80 ghats that stand on either side of the Hooghly river, between Calcutta (Kolkata) and Dakshineswar. While the name Babughat is well known, not many people in Calcutta are aware who exactly this “Babu” is. So who is Babughat named after?

 

The Art of Calcutta's Durga Puja

Durga Puja, or as Bengalis say, Pujo, is Calcutta’s biggest festival. The Hindu worship of the Goddess Durga, marks the beginning of autumn and commemorates Lord Rama’s summoning of the Goddess at this unusual time (the normal time being spring) to seek blessings for his battle against Ravana, the demon king of Lanka. Here in Calcutta (Kolkata), Durga Pujo has morphed into something quite different and much larger than a mere religious festival. Calcutta’s Durga Puja has turned into both an explosion of installation art, as well as what is being acknowledged as the world’s largest street festival. Bengalis are known to be liberal in their interpretation of religion, and Calcutta’s Puja organisers now compete against each other every year, drawing from the realms of art, folk culture and even current affairs to put a new spin on the idol of the Mother Goddess.

The traditional idol is always the same. In the centre is Maa Durga, her ten hands holding ten weapons. Accompanying her is her “vahana” or mount, a lion. Together they do battle against Mahishasura, the demon who is able to take the form of a water buffalo and is usually shown emerging from one. Durga is thus known as Mahishasura-mardini, the slayer of Mahishasura. Mahishasura is usually seen near Maa Durga’s feet, her spear having pierced her chest. Surrounding Durga are her children, from left to right, the elephant-headed Ganesha and his mount the rat, the Goddess of wealth, Lakshmi and her mount the owl, the Goddess of learning Saraswati with a “veena” in her hand and with her mount the swan and finally Kartik or Kartikeya and his mount, the peacock. Durga's husband, Lord Shiva must also be portrayed somewhere in the scheme of things, and is usually seen high above the battle scene, looking down on the carnage. In this photo feature, I present to you some of the most unusual depictions of the Mother Goddess this year. As I toured the city taking photographs of the Puja, I was reminded of a phrase used by The Doors keyboardist Ray Manzarek as an album title - The Whole Thing Started with Rock and Roll Now It's Out of Control.

Gujarat themed idol at Badamtala Asharsangha

Chamundeshwari Temple, Mysore

Located 13 km away from the city of Mysore, atop the Chamundi Hills, is the Sri Chamundeshwari Temple, one of the 51 Shakti Peethas of the Hindu religion. The legend of the Shakti Peethas originates from the story of King Daksha, whose daughter Sati married Lord Shiva against her father’s wishes. Determined to attend a “yajna” at her father’s house, the uninvited Sati did what would today be called gate-crashing. But she was disrespected and humiliated by her father. Unable to bear the insults she immolated herself. The enraged and grief-stricken Shiva picked up the remains of his wife’s body and began the “Tandava”, the dance of destruction, laying waste to all creation. The panicked Gods appealed to Vishnu to intervene and Vishnu using his disc, the “Sudarshan Chakra” severed Sati’s body into multiple pieces. These pieces then landed in various parts of the Indian subcontinent, and in each place there exists today a Shakti Peetha, each spot corresponding to a body part. On the Chamundi Hills, it is said, it was Sati’s hair that fell.

 

Kamarghat Dwadosh Shiv Mandir, Prankrishna Chandra Lane

I was exploring the temples in the Chetla area of South Calcutta (Kolkata) when I found the Kamarghat Dwadosh Shiv Mandir, completely by accident. I was there with my friends Amartya, Soumyadeep and Sourav, visiting the Radhanath Temple of Mondal Temple Lane and the Baro Ras Bari and Chhoto Ras Bari of Tollygunge Road when a local walked up to us. All of us were carrying rather large cameras, so it was quite obvious what we were here for. Since we were photographing old temples, he asked us if we had seen the “Baro Shiv Mandir”, a group of 12 Shiva Temples which he assured us was quite old. With guidance from locals, all of whom were aware of the existence of the temple, we reached a large courtyard on Pran Krishna Chandra Street and found written on the wall the words “Kamarghat Dwadosh Shiv Mandir” and the date 1259, according to the Bengali calendar.